headyversion

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Carrion_Crow

Stealth Head

+49707


Submissions

8
High Time
March 7, 1970
Civic Auditorium

Understated and subtle. This is a mysterious beauty. Not for the AUDphobic, it has some sound/tape issues.
3
King Bee
March 1, 1970
Fillmore East

Don't overlook it b/c of a few tape quality issues. This is fundamental '70 Dead and Pig was in fine form.
6
Cumberland Blues
March 1, 1970
Fillmore East

Relentlessly pulsing at a full shitkickin' clip. A few tape speed issues, but whatta time. Excellent.
7
The Other One
March 1, 1970
Fillmore East

High heat, though the levels are set really low and it sounds muffled. Sounds like Pig was playing a Hammond B3 that gives it the extra horsepower.
2
Turn On Your Love Light
Feb. 27, 1970
Family Dog at the Great Highway

The rap gets good and weird, and there's some funny doo-wop backup vocals around minute 17.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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