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Carrion_Crow

Stealth Head

+49667


Submissions

6
Brown Eyed Women
Dec. 31, 1971
Winterland Arena

Buzzing and crackling and just a wee bit manic. Early 1st set and the party is raging. Fun and wild.
20
High Time
Jan. 2, 1970
Fillmore East (Late Show)

Sublime and mysterious. A beauty.
7
Mama Tried
Jan. 2, 1970
Fillmore East (Late Show)

Perfect fun, with great organ work and the '70 sound. Pig says, "I'd thank you to not use no dirty words in the public" which cracks me up, too.
25
Caution
April 29, 1972
Musikhalle

Fast and relentless. This one has power behind it.
3
Black Peter
Dec. 29, 1969
Boston Tea Party

Deep and dark with strong emotional jams. Lots of great Peters around this time.
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Comments

Feedback
Feb. 11, 1969
Fillmore East

Tight short tweeky feedback to close out the Caution jam in top form. Everyone sounds in on it, including rare Tom. Fun stuff that sounds very freaky even now, 50+ years later.
Caution
Feb. 11, 1969
Fillmore East

I don't always think "coherent" when I think of Caution. I love it for its out-of-control spinning like a lopsided top, but this one is a strong singular statement of intensity and hard shredding before it tips over into tweaky feedback. Like the Dark Star earlier in the set they seemed to hold it in throughout this killer set, and the result is tight, strong showing of the legendary '69 sound.
The Eleven
Feb. 11, 1969
Fillmore East

This has to be one of the most up-tempo versions they ever played, and they skipped the lyrics, but so what. (Sounds like they're looking to drop them in around minute four, but they hit the kick into the blues groove instead). Keeping 11/8 groove going like this is no mean feat, they just slay it every which way. Powerful stuff from '69.
St. Stephen
Feb. 11, 1969
Fillmore East

Moves along nicely until they find the turbo button and it then it gets shot out of the cannon and gears up brilliantly for the last verse and WTO>11.
Mountains of the Moon
Feb. 11, 1969
Fillmore East

Beautiful, subtle, great mix cleanup on the box set version. Phil's steady pulse underscores Tom's gentle keys, and Jerry sings like an angel. It really doesn't get better than this according to this old Carrion Crow.
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