headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.

Comments

Jack Straw
May 18, 1972
Kongressaal, Deutsches Museum

Beautiful harmonies on the vocal here. Nice and tight energy.
Playin' In The Band
May 16, 1972
Theatre Hall

I think lining up the Playin's from '71 until the hiatus is a good a study as any into how the band kept evolving. E72 is one of my favorite eras from it too, and this one doesn't disappoint. Nosiree: It starts off a bit mellow and then builds a good head of steam. By minute six or so it's got the force of a rocket. Good pick.
Black Throated Wind
May 16, 1972
Theatre Hall

Way solid: One of those building and building versions that comes to a huge climax with everyone hitting it at once. Bravo.
Sugar Magnolia
May 13, 1972
Lille Fairgrounds

Keith, Billy, and Phil are in perfect synchronous mindmeld underneath Jer's note-for-note masterwork.
The Other One
May 13, 1972
Lille Fairgrounds

This one left some scars in Lille: At times it's like the mother of all freak-outs by that friend who some friend brought and who had no business eating all that chemistry. Then spontaneously it's the soundtrack to another f'in movie and you're watching your own mind from another one, T h e O t h e r O n e to be precise. There's a hint of Spanish to it for a bit, but man they just went completely off the chain here. The whole show is a pleasure, not a false step anywhere.