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Carrion_Crow

Stealth Head

+49742


Submissions

5
Comes A Time
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

1st version and Keith's 1st show. Jerry's voice is clear and full of meaning and remorse. Very beautiful.
4
Deep Elem Blues
Sept. 30, 1971
Studio

Unique as an electric funky blues. The only recording of it between 70 and 78 in a studio rehearsal. Pity this didn't go into rotation this way.
1
Jack Straw
Sept. 30, 1971
Studio

Historic oddity. Keith's rehearsal and three weeks before the first live version. Alternate lyrics, but fun. Some sound issues, tape wobble/speed.
1
Playin' In The Band
Sept. 30, 1971
Studio

Historic moment with Keith's rehearsals, so there's that. But there's also some magic here and they really bite into the groove. Some sound issues.
3
Sugar Magnolia
Aug. 26, 1971
Gaelic Park

Totally nuts. The jam is supernova material.
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Comments

Playin' In The Band
May 13, 1972
Lille Fairgrounds

Sounds unequivocally '72 from start to finish, predicting where this monster goes between Europe and Oregon in a few short months. Should be waaaaaay higher.
Next Time You See Me
May 13, 1972
Lille Fairgrounds

Pig/Keith chemistry out the wazoo, and that's not something you hear everyday. They're just perfect together.
Big Railroad Blues
May 13, 1972
Lille Fairgrounds

Show is languishing down in the 2-3 votes per range, which doesn't do it justice at all. This is a smokin' barnburner. They were entirely in the zone from note one by this point in the tour. Give it an up.
Caution
Feb. 14, 1970
Fillmore East

MerryJerry, I've just been cramming them into Space, finally. There's no slot on here for "Phil & Ned" either, so I just overlook the anachronism and call it Space.
Dark Star
May 11, 1972
Rotterdam Civic Hall

DonnieinMT, I'm real curious if you've got other dark stars that do it for you. Based on your comment, I think you're just not into spacey jams. Me, I could dig this one all night though, and its transitive nightfall is deservedly near the top of the list. The fact that they're all thumb wrestling throughout it to find their ways back into form and melody, but clearly having too good a time to stop, sets the tone just right. Where else could they go after starting each set with killer Playin's and Morning Dews?
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