headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

8
Playin' In The Band
Dec. 11, 1972
Winterland Arena

Expansive and spacious with brilliant flashes. Has a few bad AUD patches in need of a fix but well worth the ride.
7
Friend of the Devil
Dec. 11, 1972
Winterland Arena

Short and sweet. Not lickety-split quick pickin' à la 1970-71 and certainly not a slow-as-cold-molasses 80's style either, but nice and right. A gem.
6
Me and Bobby McGee
Dec. 11, 1972
Winterland Arena

Unique version. Great vocals with Jerry singing backup. Classic '72 sound.
4
Good Lovin'
Jan. 3, 1970
Fillmore East

Back from when this wasn't just a toss-off after Drums/Space. High voltage Pig.
3
Cosmic Charlie
Jan. 3, 1970
Fillmore East

Not mellow. Not spaced-out sweetness, but a burning hot re-entry after a rocketship TOO.
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Comments

Playin' In The Band
May 13, 1972
Lille Fairgrounds

Sounds unequivocally '72 from start to finish, predicting where this monster goes between Europe and Oregon in a few short months. Should be waaaaaay higher.
Next Time You See Me
May 13, 1972
Lille Fairgrounds

Pig/Keith chemistry out the wazoo, and that's not something you hear everyday. They're just perfect together.
Big Railroad Blues
May 13, 1972
Lille Fairgrounds

Show is languishing down in the 2-3 votes per range, which doesn't do it justice at all. This is a smokin' barnburner. They were entirely in the zone from note one by this point in the tour. Give it an up.
Caution
Feb. 14, 1970
Fillmore East

MerryJerry, I've just been cramming them into Space, finally. There's no slot on here for "Phil & Ned" either, so I just overlook the anachronism and call it Space.
Dark Star
May 11, 1972
Rotterdam Civic Hall

DonnieinMT, I'm real curious if you've got other dark stars that do it for you. Based on your comment, I think you're just not into spacey jams. Me, I could dig this one all night though, and its transitive nightfall is deservedly near the top of the list. The fact that they're all thumb wrestling throughout it to find their ways back into form and melody, but clearly having too good a time to stop, sets the tone just right. Where else could they go after starting each set with killer Playin's and Morning Dews?
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