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Carrion_Crow

Stealth Head

+49682


Submissions

7
Ramble On Rose
Sept. 15, 1972
Boston Music Hall

Jerry's vocals are rarely stronger. At one point he's growling it out like he's spittin' nails.
10
He's Gone
Sept. 15, 1972
Boston Music Hall

Kicking off a killer 2nd set, with a beautiful outro and a smooth smooth jam.
3
Jack Straw
Sept. 15, 1972
Boston Music Hall

In spite of some tuning problems, this one cooks. This whole set showcases Jerry's fast frets. Great stuff.
2
El Paso
Sept. 15, 1972
Boston Music Hall

Sweet master class on background soloing with Jerry's lickety-split runaway desperado fretwork backing Bobby up.
6
Black Throated Wind
Sept. 15, 1972
Boston Music Hall

This starts with understated, almost hesitant steps, then builds into a towering emotional rage. Its arc fits its words. Great stuff.
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Comments

Playin' In The Band
May 13, 1972
Lille Fairgrounds

Sounds unequivocally '72 from start to finish, predicting where this monster goes between Europe and Oregon in a few short months. Should be waaaaaay higher.
Next Time You See Me
May 13, 1972
Lille Fairgrounds

Pig/Keith chemistry out the wazoo, and that's not something you hear everyday. They're just perfect together.
Big Railroad Blues
May 13, 1972
Lille Fairgrounds

Show is languishing down in the 2-3 votes per range, which doesn't do it justice at all. This is a smokin' barnburner. They were entirely in the zone from note one by this point in the tour. Give it an up.
Caution
Feb. 14, 1970
Fillmore East

MerryJerry, I've just been cramming them into Space, finally. There's no slot on here for "Phil & Ned" either, so I just overlook the anachronism and call it Space.
Dark Star
May 11, 1972
Rotterdam Civic Hall

DonnieinMT, I'm real curious if you've got other dark stars that do it for you. Based on your comment, I think you're just not into spacey jams. Me, I could dig this one all night though, and its transitive nightfall is deservedly near the top of the list. The fact that they're all thumb wrestling throughout it to find their ways back into form and melody, but clearly having too good a time to stop, sets the tone just right. Where else could they go after starting each set with killer Playin's and Morning Dews?
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