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Carrion_Crow

Stealth Head

+49682


Submissions

1
Hurts Me Too
Dec. 27, 1970
Legion Stadium

Pig's vox never sounded better. Pure, fine Blue Ron soul and a rippin' set of solos, but sadly cuts out.
1
Good Lovin'
Dec. 26, 1970
Legion Stadium

All about the jam. One of the mello raps of the era, and they go off in that way that says "let's do this forever". Why not here?
2
Friend of the Devil
Dec. 26, 1970
Legion Stadium

Sweetness in form and execution. Even the feedback from the monitors harmonises nicely. A gentle, delicate version.
2
King Bee
Dec. 23, 1970
Winterland Arena

Deep blues, two brilliant harp solos, great Jerry work (duh), and a Charlie Miller cleanup. Listen up!
5
Deep Elem Blues
Dec. 23, 1970
Winterland Arena

Starts a little funny, but has that rare electric funk quality. On the recent C. Miller cleanup, so thank you sir.
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Comments

Playin' In The Band
May 13, 1972
Lille Fairgrounds

Sounds unequivocally '72 from start to finish, predicting where this monster goes between Europe and Oregon in a few short months. Should be waaaaaay higher.
Next Time You See Me
May 13, 1972
Lille Fairgrounds

Pig/Keith chemistry out the wazoo, and that's not something you hear everyday. They're just perfect together.
Big Railroad Blues
May 13, 1972
Lille Fairgrounds

Show is languishing down in the 2-3 votes per range, which doesn't do it justice at all. This is a smokin' barnburner. They were entirely in the zone from note one by this point in the tour. Give it an up.
Caution
Feb. 14, 1970
Fillmore East

MerryJerry, I've just been cramming them into Space, finally. There's no slot on here for "Phil & Ned" either, so I just overlook the anachronism and call it Space.
Dark Star
May 11, 1972
Rotterdam Civic Hall

DonnieinMT, I'm real curious if you've got other dark stars that do it for you. Based on your comment, I think you're just not into spacey jams. Me, I could dig this one all night though, and its transitive nightfall is deservedly near the top of the list. The fact that they're all thumb wrestling throughout it to find their ways back into form and melody, but clearly having too good a time to stop, sets the tone just right. Where else could they go after starting each set with killer Playin's and Morning Dews?
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