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Carrion_Crow

Stealth Head

+49687


Submissions

1
Monkey and the Engineer
Nov. 7, 1970
Capital Theater

Sweet fun in a gorgeous acoustic set. Clapalong crowd adds to the joy.
2
El Paso
Nov. 7, 1970
Capital Theater

Slow waltz tempo. Bobby's voice gorgeous, Jerry's cantina filigree perfect. A perfect gem. AUD quality B-.
1
Deep Elem Blues
Nov. 6, 1970
Capitol Theater

Whoa sweet mama! Back to this show and every note seems worth a shoutout.
1
Turn On Your Love Light
Nov. 5, 1970
Capitol Theater

Pigpen gets a woman pregnant on stage. Rough AUD but utterly worth it. The jam starting around 16:00 is very hot.
4
The Other One
Oct. 31, 1970
School Gymnasium, S.U.N.Y.

A barnburner that suffers a bit from compressed sound quality (and a mic. problem), but still hot & worth a spin. Cryptical outro gets going nicely.

Comments

Playin' In The Band
May 13, 1972
Lille Fairgrounds

Sounds unequivocally '72 from start to finish, predicting where this monster goes between Europe and Oregon in a few short months. Should be waaaaaay higher.
Next Time You See Me
May 13, 1972
Lille Fairgrounds

Pig/Keith chemistry out the wazoo, and that's not something you hear everyday. They're just perfect together.
Big Railroad Blues
May 13, 1972
Lille Fairgrounds

Show is languishing down in the 2-3 votes per range, which doesn't do it justice at all. This is a smokin' barnburner. They were entirely in the zone from note one by this point in the tour. Give it an up.
Caution
Feb. 14, 1970
Fillmore East

MerryJerry, I've just been cramming them into Space, finally. There's no slot on here for "Phil & Ned" either, so I just overlook the anachronism and call it Space.
Dark Star
May 11, 1972
Rotterdam Civic Hall

DonnieinMT, I'm real curious if you've got other dark stars that do it for you. Based on your comment, I think you're just not into spacey jams. Me, I could dig this one all night though, and its transitive nightfall is deservedly near the top of the list. The fact that they're all thumb wrestling throughout it to find their ways back into form and melody, but clearly having too good a time to stop, sets the tone just right. Where else could they go after starting each set with killer Playin's and Morning Dews?