headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

10
The Other One
May 29, 1971
Winterland Arena

Want to know what it felt like to be Phil's axe, I mean like every single goddamned fiber of it? Strap on headphones and now you'll know.
9
Cumberland Blues
April 27, 1971
Fillmore East

Hot version with super-fast pickin'. Much fun.
2
Not Fade Away
April 25, 1971
Fillmore East

Capping a brilliant show and hiding a nice Mountain Jam. This show doesn't get all the love it deserves.
8
Ain't It Crazy (The Rub)
April 25, 1971
Fillmore East

Supercharged and hard rocking. Boys had some strong stuff in them this night.
9
Hard to Handle
April 25, 1971
Fillmore East

Of course. Every April'71 is outta sight, and this one pumps diesel.
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Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.
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