headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49767


Submissions

3
Cumberland Blues
March 18, 1971
Fox Theatre

Toe-tappin' and up-tempo with great vocals - Phil sounds amazing on the out chorus. Fun stuff!
7
Me and My Uncle
March 18, 1971
Fox Theatre

As clear and pure an example of MAMU you'll ever here.
4
Me and Bobby McGee
March 14, 1971
Camp Randall Field House

Absolutely gorgeous harmonies and a nice crisp sound.
4
Turn On Your Love Light
Feb. 24, 1971
Capitol Theater

The last 35 min of this show are just beautiful. From NFA till the end it's just smooth sailing goddamned good times Grateful Dead. Enjoy.
3
Good Lovin'
Feb. 24, 1971
Capitol Theater

No Pig rap or sonic dose of the clap like others from the era, a a glorious slow-boiling jam over 18 minutes well worth the listen.
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Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.
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