headyversion

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Carrion_Crow

Stealth Head

+49767


Submissions

49
Scarlet Begonias -> Fire On The Mountain
May 5, 1977
New Haven Coliseum

Unthinkable that such headiness be left from the lists! Stunning swagger, swooshing Phil, bril transition, mad jams.
3
Brokedown Palace
Dec. 15, 1971
Hill Auditorium

Passionate, sparkling harmonies. Beeyooteeful vocals. Beeyooteeful playing.
3
Jack Straw
Dec. 15, 1971
Hill Auditorium

Part of a first set that just kicks with horsepower from the 1st note. Purposeful, driving and strong. Hot stuff.
19
Estimated Prophet
March 19, 1977
Winterland Arena

Muscular and edgy, with that amazing off-kilter propulsion unique to this song.
15
Sugaree
Dec. 10, 1971
Fox Theatre

Sharp as a tack with lots of energy and a strong pulse. Clear they were having a great time.
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Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.
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