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Carrion_Crow

Stealth Head

+49777


Submissions

4
Let It Grow
July 25, 1974
International Amphitheater

Tight and hot. Something in the vocals at this show went just perfect too, adding to the intensity.
6
Loser
July 25, 1974
International Amphitheater

Greatness in this one: Powerful ensemble vocals.
6
Space
July 21, 1974
Hollywood Bowl

Phil & Ned: By far the most compact and Space-like. Gargantuan Martian landscapes and insect-shaped UFOs. Sounds like Frippertronics. Heavy stuff.
4
Around and Around
July 21, 1974
Hollywood Bowl

Fully rockin' blowout to close a lovely summertime 1st set: Not my favorite song, but this one really kicks.
20
Let It Grow
July 19, 1974
Selland Arena

Mega-monster just dives into complete madness with a Phil solo for the ages and wild tweaking from all sides. Much fun.

Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.