headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

4
Sugaree
June 22, 1974
Jai-Alai Fronton

One of the (for me) rare versions of Sugaree that never drags, but keeps building and building with great intensity.
3
Dark Hollow
Nov. 6, 1970
Capitol Theater

Pure sweetness.
8
Jack A Roe
Nov. 17, 1978
Rambler Room

Great feeling and beautiful acoustic Dead harmonies at their best.
24
Knockin' On Heaven's Door
Nov. 17, 1978
Rambler Room

Gorgeous acoustic version in a superb gem of a concert. Jer's voice is perfect, the emotional arc soars. A mini masterpiece.
3
Space
Nov. 30, 1979
Stanley Theater

Wait for it, then run in fear from it. The boys had something ferocious in mind here.
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Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.
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