headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

3
Tennessee Jed
Sept. 11, 1973
William and Mary College Hall

Solid grooving version. Jerry's final solo builds up nicely.
13
China Cat Sunflower -> I Know You Rider
Sept. 8, 1973
Nassau Coliseum

China Cat is a slow, bumpy, and chaotic mess, quickly ended. Follows a beautiful Feeling Groovy and long Rider. Good to see the boys quick recovery!
15
China Doll
Sept. 8, 1973
Nassau Coliseum

Very sweet and sorrowful. A beautiful version.
5
Let It Grow
Sept. 8, 1973
Nassau Coliseum

Tighter and a wee bit faster than the previous night's debut, played with more confidence and just exactly perfect.
9
Jack Straw
Sept. 8, 1973
Nassau Coliseum

Sweet version, very tight and mellow groove: Love the 70's outlaw buddy-pic vibe.

Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.