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Carrion_Crow

Stealth Head

+49667


Submissions

9
Jack Straw
June 26, 1973
Seattle Center Coliseum

Purrs along like a smooth stretch of highway. The whole first set has understated beauty. A gem.
15
Hard to Handle
Feb. 18, 1971
Capitol Theater

Pigpen's voice is deep, SC-soaked and clear. The jam is ballsy and pushing out against the seams.
10
St. Stephen
Oct. 13, 1968
Avalon Ballroom

Blasting '68 psyhedelia - A bit wilder than the legendary night before's version. Goes into one of the all-time great 11s after, too.
10
Scarlet Begonias
May 25, 1974
Campus Stadium, UCSB

Great early version, Donna and Jer are on. Sorry my version sounds like they played in a tin can, though.
28
Eyes Of The World
June 24, 1973
Memorial Coliseum

Builds and builds from subtle spaceyness to a burning jam. Whole show seems overlooked but well worth it.

Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.