headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49677


Submissions

7
El Paso
Nov. 30, 1973
Boston Music Hall

Fast and fun, the crowd really digging it. Great show in spite of some sound quality issues.
15
Playin' In The Band
Oct. 27, 1973
Indianapolis State Fair Coliseum

Trippy explorations at lightning speed with cool MHUT>Big River sandwich.
6
Mississippi Halfstep Uptown Toodeloo
Feb. 22, 1974
Winterland Arena

Nice groovy outro. Great show, good vibes.
31
The Other One
Feb. 23, 1974
Winterland Arena

Gets real out fuurther and faster then into a Help-Slip preview in the jam. Great interplay between Phil and Jerry.
8
The Music Never Stopped
Feb. 28, 1975
Bob Weir's Studio

Rehearsal, no vocals, brilliant explorations of the song in development. Great insight into the boys' collective mind.
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Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.
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