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Carrion_Crow

Stealth Head

+49682


Submissions

4
Mister Charlie
March 21, 1972
Academy of Music

Part of a great first set, the band is on fire, and Pigpen in great form. Tight rocker.
4
Loser
March 21, 1972
Academy of Music

Cracklin' and snappy version. The band is über tight and having fun.
3
Greatest Story Ever Told
March 21, 1972
Academy of Music

Bobby blows a gasket on this one. Raw and powerful, showing exactly where they were headed before Europe. High energy rocker.
4
Playin' In The Band
March 21, 1972
Academy of Music

I'd argue this was the first Playin' as we came to know it after the end of the "Main Ten" and "country warbler" versions from '71.
2
Casey Jones
March 5, 1972
Winterland Arena

After a pretty sloppy 1st set, they charge up and nail this one. Phil goes bananas on the out chorus.

Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.