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Carrion_Crow

Stealth Head

+49687


Submissions

1
Hurts Me Too
Dec. 27, 1970
Legion Stadium

Pig's vox never sounded better. Pure, fine Blue Ron soul and a rippin' set of solos, but sadly cuts out.
1
Good Lovin'
Dec. 26, 1970
Legion Stadium

All about the jam. One of the mello raps of the era, and they go off in that way that says "let's do this forever". Why not here?
2
Friend of the Devil
Dec. 26, 1970
Legion Stadium

Sweetness in form and execution. Even the feedback from the monitors harmonises nicely. A gentle, delicate version.
2
King Bee
Dec. 23, 1970
Winterland Arena

Deep blues, two brilliant harp solos, great Jerry work (duh), and a Charlie Miller cleanup. Listen up!
5
Deep Elem Blues
Dec. 23, 1970
Winterland Arena

Starts a little funny, but has that rare electric funk quality. On the recent C. Miller cleanup, so thank you sir.

Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.