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Carrion_Crow

Stealth Head

+49687


Submissions

3
Dancin' in the Streets
Dec. 17, 1970
The Matrix

Questionable date, but unquestionably amazing. A great classic jam with a near-perfect recording for the time. A++
2
Morning Dew
Nov. 29, 1970
Club Agora

Rough AUD, but showcases a brilliant and intense buildup enhanced by what sounds like a Hammond B3. Deserves a cleanup, as much of 11.70 does.
2
Goin' Down The Road Feelin' Bad
Nov. 20, 1970
The Palestra, U. of Rochester

Beautiful jam here, with some great Jerry fuzztone soloing.
1
China Cat Sunflower -> I Know You Rider
Nov. 20, 1970
The Palestra, U. of Rochester

Nice warm AUD for the era, with a sparkling CCS and great transition into IKYR.
1
The Other One
Nov. 23, 1970
Anderson Theatre

Whether it's the 16th or the 23rd, it's a real humdinger. Perfect transition out of Truckin'.
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Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.
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