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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49712


Submissions

6
Friend of the Devil
March 20, 1970
Capitol Theater

1st ever, slightly different lyrics, but an incredible delivery and freshness. Tricksters intro the country sound for NY heads expecting Alligator.
5
Black Peter
March 8, 1970
Star Theatre

Inside this not great show is a beautiful short acoustic set, including this perfect beauty. Totally overlooked.
3
Me and My Uncle
March 8, 1970
Star Theatre

Sweet acoustic version. Bobby is spot on.
7
High Time
March 8, 1970
Star Theatre

Absolutely pristine version with clear harmonies and beautiful emotive singing. Not a beloved show, but give this one a chance.
6
The Other One
March 7, 1970
Civic Auditorium

A blazing supernova of psychedelic force. Packs quite a wallop for only six and half short minutes.

Comments

The Music Never Stopped
Feb. 26, 1977
Swing Auditorium

Giddyap goddamned, but that's 100% perfect. How had I not voted this one up yet?
Me and Bobby McGee
May 10, 1972
Concertgebouw

How these guys could go from Martian landscapes in dissonant freeform one minute before the transition from TOO into a sweet-as-honey spontaneous joy-inducing melodic improv over the changes and then back again with such consistency is truly inspiring. This one is also just radio-play perfect on its own, there's so much energy in it and everyone is on point, plus it turns on a dime and flings you back out to space for a reprise. Should be higher on the list.
The Other One
May 10, 1972
Concertgebouw

This is a must-hear for any and all psychonauts or spacerupturers whove got the proper process.... Quality speakers, the perfect consciousness enhancer (could be just some good oxygen if that's your bag, I'm not judging) and turn it on loud. Will not disappoint.
Truckin'
May 10, 1972
Concertgebouw

Absolutely sick transition into drums>TOO. Truckin' never gets all the love it needs, but this one could be a lot higher up.
Playin' In The Band
May 10, 1972
Concertgebouw

Weir: "We're going to go ahead and get weird". Oh man oh man, I do love this band. But this one is pretty mellow with modal shifts driven by Phil after a strong "Main Ten" thematic entry. It's contemplative and dream-like rather than an acid bath of space lizards going supernova.