headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49742


Submissions

13
Dark Star
Aug. 21, 1968
Fillmore West

First DS>Stephen>Eleven merits mention here, plus it's freaking groovy '68 Dead: No meltdown here (not yet), just 13 min. of 1st edition Dark Star.
5
Mountain Jam
Feb. 7, 1969
Stanley Theater

Check out "Primal Alligator Jam" on Feb. 07, 1969 and tell me this isn't a Mountain Jam. Anyone? In any case, I'm blown away by it.
2
Turn On Your Love Light
Feb. 7, 1969
Stanley Theater

Under the radar show, but blazing, blistering, and hard rocking Love Light. The whole set is outrageous.
5
Estimated Prophet
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

Perfect execution, Jerry just note for note brilliant, Bobby sings like a man possessed. AUD quality A/A-
6
Franklin's Tower
June 7, 1975
Bob Weir's Studio

You ain't never heard anything like this. It's about half-speed, super mellow, almost Jamaican vibe. For a rehearsal, this sounds just oh so sweet.

Comments

Mister Charlie
April 29, 1972
Musikhalle

Jerry's tone on this is dialed all the way in. Really special soloing on this one.
Comes A Time
April 26, 1972
Jahrhunderthalle

Powerful. Perfectly executed. The track list for the complete show on the archive is off by one song, so it has Comes a Time coming in at an extraordinary 36 minutes and 28 seconds, which is pretty funny when you think about it. In any case, they really pull this one off beautifully, even if it's a mere 6:40....
Truckin'
April 26, 1972
Jahrhunderthalle

Well I guess just like Bobby on this version, sometimes people just fuck up the words.
Chinatown Shuffle
April 26, 1972
Jahrhunderthalle

Coming off of an extraordinarily energetic Playin', this one has an extra oomph with the tempo just a bit higher, and Billy's back beat kicking it forward with a great, almost reckless driving pulse.
Greatest Story Ever Told
April 26, 1972
Jahrhunderthalle

Absolutely in need of more votes. If you listen carefully, you can hear exactly when they break the badassery barrier. Jerry shreds like a man possessed, Keith is brilliant, Billy all over it, and of course Bobby and Donna are in perfect sync.