headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49707


Submissions

6
Beat it on Down The Line
Aug. 21, 1972
Berkeley Community Theater

Has one of Jer's longest continuous strings of up-tempo 16th note solo lines (in the changes) I can recall. Wicked fast and right as rain.
3
He's Gone
Aug. 20, 1972
San Jose Civic Auditorium

This version, and the one on the 12th, are just butter. I admit to sometimes not even noticing He's Gone, but this is a high spot for it.
2
Me and Bobby McGee
Aug. 20, 1972
San Jose Civic Auditorium

One of those amazing versions of this underrated song where everyone is blazing along in collective improv to genius effect. Just beautiful.
3
Sugaree
Aug. 20, 1972
San Jose Civic Auditorium

Damn fine swagger on this one, in spite of a murky tape. Show cleans up after a few songs - thanks to C. Miller.
2
Truckin'
Aug. 12, 1972
Sacramento Memorial Auditorium

High voltage 18-wheel Truckin'. Mix and sound on this show keep it in the shadow of others this month, but the music is all there.
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Comments

Mister Charlie
April 29, 1972
Musikhalle

Jerry's tone on this is dialed all the way in. Really special soloing on this one.
Comes A Time
April 26, 1972
Jahrhunderthalle

Powerful. Perfectly executed. The track list for the complete show on the archive is off by one song, so it has Comes a Time coming in at an extraordinary 36 minutes and 28 seconds, which is pretty funny when you think about it. In any case, they really pull this one off beautifully, even if it's a mere 6:40....
Truckin'
April 26, 1972
Jahrhunderthalle

Well I guess just like Bobby on this version, sometimes people just fuck up the words.
Chinatown Shuffle
April 26, 1972
Jahrhunderthalle

Coming off of an extraordinarily energetic Playin', this one has an extra oomph with the tempo just a bit higher, and Billy's back beat kicking it forward with a great, almost reckless driving pulse.
Greatest Story Ever Told
April 26, 1972
Jahrhunderthalle

Absolutely in need of more votes. If you listen carefully, you can hear exactly when they break the badassery barrier. Jerry shreds like a man possessed, Keith is brilliant, Billy all over it, and of course Bobby and Donna are in perfect sync.
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