headyversion

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Carrion_Crow

Stealth Head

+49742


Submissions

13
Dark Star
Aug. 21, 1968
Fillmore West

First DS>Stephen>Eleven merits mention here, plus it's freaking groovy '68 Dead: No meltdown here (not yet), just 13 min. of 1st edition Dark Star.
5
Mountain Jam
Feb. 7, 1969
Stanley Theater

Check out "Primal Alligator Jam" on Feb. 07, 1969 and tell me this isn't a Mountain Jam. Anyone? In any case, I'm blown away by it.
2
Turn On Your Love Light
Feb. 7, 1969
Stanley Theater

Under the radar show, but blazing, blistering, and hard rocking Love Light. The whole set is outrageous.
5
Estimated Prophet
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

Perfect execution, Jerry just note for note brilliant, Bobby sings like a man possessed. AUD quality A/A-
6
Franklin's Tower
June 7, 1975
Bob Weir's Studio

You ain't never heard anything like this. It's about half-speed, super mellow, almost Jamaican vibe. For a rehearsal, this sounds just oh so sweet.
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Comments

Playin' In The Band
April 21, 1972
Beat Club

In a tour during which Playin' goes from a peculiar, if not promising vehicle for outer-spheres jamming, to the galactic shredding monster that Playin' is by September, this one stands out as just a little bit weirder, just a little bit more agressive and intense. It's frankly enormous for the relatively short 12 minutes it fills.
Dark Star
April 17, 1972
Tivolis Koncertsal

Shockingly underrated. There's a lot of feedback weirdness... which is awesome. And yes, the pre-verse is gorgeous. There's also a lot of experimentation, in the best sense of the term: Hints of a FGJ around 17:30, washes of crystal keyboard work that sounds almost like what they would try out again in the late 80s midi period. And yes... its good and goddamned weird? Who's got a problem with that... it's the Grateful Dead, not the Kingston Trio.
Big Railroad Blues
April 17, 1972
Tivolis Koncertsal

Believe the hype: this one clears out the tubes. The vitamins must have kicked in during the pause, because they don't sound laid back here at all....
Hurts Me Too
April 17, 1972
Tivolis Koncertsal

This really needs more votes: The solid driving pulse, the deep-in-the-pocket groove, the laid-back tempo that never drags, and of course the perfect execution by Blue Ron, his voice, and his soul. Really, this is some his finest vocal work ever.
China Cat Sunflower -> I Know You Rider
April 17, 1972
Tivolis Koncertsal

The first set is characterized by laid-back tempos and an all-round mellow delivery (especially compared with the other Copenhagen show on the 14th and Aarhus the night before). Don't let that fool you into passing over this amazing version and altogether excellent show. The tempos really work to showcase Keith, as others mentioned. The transition between the two is made perfect by his mastery - and he continues to shine through Jack Straw and He's Gone too.
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