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Carrion_Crow

Stealth Head

+49667


Submissions

45
Playin' In The Band
Dec. 19, 1973
Curtis Hixon Convention Hall

Really Heads? Not here yet? 21 minutes of super fine hotandheady jam. Blazing hot, capping off a year of just outrageous Playin' playing.
14
Candyman
April 15, 1970
Winterland Arena

Don't know the '70s versions enough to say "unique", but check this one out for beeeautiful vocals over light-as-light sweet acoustic playing.
21
Cold Rain and Snow
April 15, 1970
Winterland Arena

The boys start the show with all guns blazing. Seems like they'd open with this when they were most massive. Ahhhh, Winterland.
7
Jack Straw
Dec. 18, 1973
Curtis Hixon Convention Hall

The band has come together, the vocals are warm, the solos are sharp, so strap on boys and girls 'cause this show just ignites from here on out....
9
Caution
Sept. 20, 1970
Fillmore East

Great Caution, but absofreakinglutely outrageous feedback into the deep deep space and back. Face stolen, body floating -> Bid You Goodnight. Damn.
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Comments

Playin' In The Band
April 21, 1972
Beat Club

In a tour during which Playin' goes from a peculiar, if not promising vehicle for outer-spheres jamming, to the galactic shredding monster that Playin' is by September, this one stands out as just a little bit weirder, just a little bit more agressive and intense. It's frankly enormous for the relatively short 12 minutes it fills.
Dark Star
April 17, 1972
Tivolis Koncertsal

Shockingly underrated. There's a lot of feedback weirdness... which is awesome. And yes, the pre-verse is gorgeous. There's also a lot of experimentation, in the best sense of the term: Hints of a FGJ around 17:30, washes of crystal keyboard work that sounds almost like what they would try out again in the late 80s midi period. And yes... its good and goddamned weird? Who's got a problem with that... it's the Grateful Dead, not the Kingston Trio.
Big Railroad Blues
April 17, 1972
Tivolis Koncertsal

Believe the hype: this one clears out the tubes. The vitamins must have kicked in during the pause, because they don't sound laid back here at all....
Hurts Me Too
April 17, 1972
Tivolis Koncertsal

This really needs more votes: The solid driving pulse, the deep-in-the-pocket groove, the laid-back tempo that never drags, and of course the perfect execution by Blue Ron, his voice, and his soul. Really, this is some his finest vocal work ever.
China Cat Sunflower -> I Know You Rider
April 17, 1972
Tivolis Koncertsal

The first set is characterized by laid-back tempos and an all-round mellow delivery (especially compared with the other Copenhagen show on the 14th and Aarhus the night before). Don't let that fool you into passing over this amazing version and altogether excellent show. The tempos really work to showcase Keith, as others mentioned. The transition between the two is made perfect by his mastery - and he continues to shine through Jack Straw and He's Gone too.
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