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Carrion_Crow

Stealth Head

+49667


Submissions

5
Loose Lucy
Sept. 24, 1973
Civic Arena

Brilliant vocals. Jerry stretches it out. Funky, sexed up version.
2
They Love Each Other
Sept. 24, 1973
Civic Arena

Less reggae than the Spring '73 versions, this one is fully rockin'. Jer's on, both with vocals and solos.
13
The Other One
Sept. 21, 1973
The Spectrum

A must-hear. Goes through four or five melodic/rhythmic innovations, odd time sigs and a MLBesque jam outro. Avoid Lai's version with a nasty cut.
5
Truckin'
Sept. 21, 1973
The Spectrum

Stunning w/ great Phil solo into TOO. A 2nd set from heaven: LIG>He's Gone>Truckin>TOO>Wharf Rat. Don't be put off by 1st set flubs, listen to this!
9
Playin' In The Band
Sept. 21, 1973
The Spectrum

Subtle, simmering, with slow, steady intensity. To my ears this show has mix issues and needs re-work - but definitely worth it.
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Comments

Playin' In The Band
April 21, 1972
Beat Club

In a tour during which Playin' goes from a peculiar, if not promising vehicle for outer-spheres jamming, to the galactic shredding monster that Playin' is by September, this one stands out as just a little bit weirder, just a little bit more agressive and intense. It's frankly enormous for the relatively short 12 minutes it fills.
Dark Star
April 17, 1972
Tivolis Koncertsal

Shockingly underrated. There's a lot of feedback weirdness... which is awesome. And yes, the pre-verse is gorgeous. There's also a lot of experimentation, in the best sense of the term: Hints of a FGJ around 17:30, washes of crystal keyboard work that sounds almost like what they would try out again in the late 80s midi period. And yes... its good and goddamned weird? Who's got a problem with that... it's the Grateful Dead, not the Kingston Trio.
Big Railroad Blues
April 17, 1972
Tivolis Koncertsal

Believe the hype: this one clears out the tubes. The vitamins must have kicked in during the pause, because they don't sound laid back here at all....
Hurts Me Too
April 17, 1972
Tivolis Koncertsal

This really needs more votes: The solid driving pulse, the deep-in-the-pocket groove, the laid-back tempo that never drags, and of course the perfect execution by Blue Ron, his voice, and his soul. Really, this is some his finest vocal work ever.
China Cat Sunflower -> I Know You Rider
April 17, 1972
Tivolis Koncertsal

The first set is characterized by laid-back tempos and an all-round mellow delivery (especially compared with the other Copenhagen show on the 14th and Aarhus the night before). Don't let that fool you into passing over this amazing version and altogether excellent show. The tempos really work to showcase Keith, as others mentioned. The transition between the two is made perfect by his mastery - and he continues to shine through Jack Straw and He's Gone too.
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