headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

8
Playin' In The Band
Dec. 11, 1972
Winterland Arena

Expansive and spacious with brilliant flashes. Has a few bad AUD patches in need of a fix but well worth the ride.
7
Friend of the Devil
Dec. 11, 1972
Winterland Arena

Short and sweet. Not lickety-split quick pickin' à la 1970-71 and certainly not a slow-as-cold-molasses 80's style either, but nice and right. A gem.
6
Me and Bobby McGee
Dec. 11, 1972
Winterland Arena

Unique version. Great vocals with Jerry singing backup. Classic '72 sound.
4
Good Lovin'
Jan. 3, 1970
Fillmore East

Back from when this wasn't just a toss-off after Drums/Space. High voltage Pig.
3
Cosmic Charlie
Jan. 3, 1970
Fillmore East

Not mellow. Not spaced-out sweetness, but a burning hot re-entry after a rocketship TOO.
show more submissions

Comments

Playin' In The Band
April 21, 1972
Beat Club

In a tour during which Playin' goes from a peculiar, if not promising vehicle for outer-spheres jamming, to the galactic shredding monster that Playin' is by September, this one stands out as just a little bit weirder, just a little bit more agressive and intense. It's frankly enormous for the relatively short 12 minutes it fills.
Dark Star
April 17, 1972
Tivolis Koncertsal

Shockingly underrated. There's a lot of feedback weirdness... which is awesome. And yes, the pre-verse is gorgeous. There's also a lot of experimentation, in the best sense of the term: Hints of a FGJ around 17:30, washes of crystal keyboard work that sounds almost like what they would try out again in the late 80s midi period. And yes... its good and goddamned weird? Who's got a problem with that... it's the Grateful Dead, not the Kingston Trio.
Big Railroad Blues
April 17, 1972
Tivolis Koncertsal

Believe the hype: this one clears out the tubes. The vitamins must have kicked in during the pause, because they don't sound laid back here at all....
Hurts Me Too
April 17, 1972
Tivolis Koncertsal

This really needs more votes: The solid driving pulse, the deep-in-the-pocket groove, the laid-back tempo that never drags, and of course the perfect execution by Blue Ron, his voice, and his soul. Really, this is some his finest vocal work ever.
China Cat Sunflower -> I Know You Rider
April 17, 1972
Tivolis Koncertsal

The first set is characterized by laid-back tempos and an all-round mellow delivery (especially compared with the other Copenhagen show on the 14th and Aarhus the night before). Don't let that fool you into passing over this amazing version and altogether excellent show. The tempos really work to showcase Keith, as others mentioned. The transition between the two is made perfect by his mastery - and he continues to shine through Jack Straw and He's Gone too.
show more comments
headyversion loves the dead but is in no way affiliated with The Grateful Dead or affiliated enterprises. find out more >:) >:)