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Carrion_Crow

Stealth Head

+49712


Submissions

10
Deep Elem Blues
May 1, 1970
Alfred College

Sweet opener. This is about where in the year the immortal Country Dead takes off: 6 hour shows, three sets, NRPS, what a time. This one's a beauty.
4
St. Stephen
April 24, 1970
Mammoth Gardens

The last DS>SS>11 ever, and doesn't disappoint. Sounds like they still had TC's celeste, even tho he'd already left. Perfect cannon shot, tight jam.
4
Friend of the Devil
April 24, 1970
Mammoth Gardens

Deep levels of intimacy on the AUDs here, and Jer's voice and playing are just spectacular. Brilliant fresh playing from a historic transitional era.
2
Turn On Your Love Light
April 11, 1970
Fillmore West

Incomplete show, but a perfect artifact preserves the LL in all its sweaty greasy glory. Pig's on form, the band is in swampfunk mode. All good here.
2
Turn On Your Love Light
April 9, 1970
Fillmore West

Pig asks some couple to "do something nasty" and to come up on stage, then the band almost soulds like they're starting Purple Haze. Wild times.
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Comments

Playin' In The Band
April 21, 1972
Beat Club

In a tour during which Playin' goes from a peculiar, if not promising vehicle for outer-spheres jamming, to the galactic shredding monster that Playin' is by September, this one stands out as just a little bit weirder, just a little bit more agressive and intense. It's frankly enormous for the relatively short 12 minutes it fills.
Dark Star
April 17, 1972
Tivolis Koncertsal

Shockingly underrated. There's a lot of feedback weirdness... which is awesome. And yes, the pre-verse is gorgeous. There's also a lot of experimentation, in the best sense of the term: Hints of a FGJ around 17:30, washes of crystal keyboard work that sounds almost like what they would try out again in the late 80s midi period. And yes... its good and goddamned weird? Who's got a problem with that... it's the Grateful Dead, not the Kingston Trio.
Big Railroad Blues
April 17, 1972
Tivolis Koncertsal

Believe the hype: this one clears out the tubes. The vitamins must have kicked in during the pause, because they don't sound laid back here at all....
Hurts Me Too
April 17, 1972
Tivolis Koncertsal

This really needs more votes: The solid driving pulse, the deep-in-the-pocket groove, the laid-back tempo that never drags, and of course the perfect execution by Blue Ron, his voice, and his soul. Really, this is some his finest vocal work ever.
China Cat Sunflower -> I Know You Rider
April 17, 1972
Tivolis Koncertsal

The first set is characterized by laid-back tempos and an all-round mellow delivery (especially compared with the other Copenhagen show on the 14th and Aarhus the night before). Don't let that fool you into passing over this amazing version and altogether excellent show. The tempos really work to showcase Keith, as others mentioned. The transition between the two is made perfect by his mastery - and he continues to shine through Jack Straw and He's Gone too.
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