headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

9
The Race Is On
June 24, 1973
Memorial Coliseum

Lovely mid-tempo ensemble singing with Bobby, Donna, and Jerry audible (Keith too?). Great driving bass and piano.
12
Big Railroad Blues
June 24, 1973
Memorial Coliseum

Fun, fast and loose in the joints.
24
They Love Each Other
June 24, 1973
Memorial Coliseum

Clear melodic jamming, fun and uptempo.
33
New Potato Caboose
Oct. 12, 1968
Avalon Ballroom

Starts with gongs and cymbals in the cosmic dust of an outrageous TOO>Cryptical, then gears up and goes supernova for over 20 minutes.
14
Me and Bobby McGee
April 29, 1971
Fillmore East

My new favourite version, and I never choose "favourites". Passionate perfect Bobby, the band so tight, Jer's perfect harmony, Phil driving it all.
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Comments

Hurts Me Too
March 28, 1972
Academy of Music

Pig is in perfect form for the whole show.
The Other One
March 28, 1972
Academy of Music

Tremendous, inventive, deep. They slowly build up, break down, zap, phronk, tweek, and splat into cozmik goo - all before the melody begins. It isn't all bad craziness either. There's a beautiful, traipsing feel in places, Keith leads into one around 12:30. The whole thing is the definition of "epic headiness".
Two Souls in Communion
March 28, 1972
Academy of Music

Jerry and Bobby. Listen to Bobby's support, he's like Pigpen's lifeline. This song is enigmatic and hard to hear sometimes. Pig drops the swagger and shows some desperation behind the desperado persona. How sad that this breakthrough into deep emotion comes so close to the end of his short short life.
Looks Like Rain
March 28, 1972
Academy of Music

For a song that can be cringeworthy at worst and a bit cheesy otherwise, this one rates really high for me: Jerry on pedal is a sure thing, but beyond that, the whole ensemble is strong, and the band pulses as one. This whole run at the Academy is pure top-shelf Dead, and here's another beauty.
Black Throated Wind
March 28, 1972
Academy of Music

Triumphant finish to this one.
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