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Carrion_Crow

Stealth Head

+49777


Submissions

6
Brown Eyed Women
Dec. 31, 1971
Winterland Arena

Buzzing and crackling and just a wee bit manic. Early 1st set and the party is raging. Fun and wild.
20
High Time
Jan. 2, 1970
Fillmore East (Late Show)

Sublime and mysterious. A beauty.
7
Mama Tried
Jan. 2, 1970
Fillmore East (Late Show)

Perfect fun, with great organ work and the '70 sound. Pig says, "I'd thank you to not use no dirty words in the public" which cracks me up, too.
25
Caution
April 29, 1972
Musikhalle

Fast and relentless. This one has power behind it.
3
Black Peter
Dec. 29, 1969
Boston Tea Party

Deep and dark with strong emotional jams. Lots of great Peters around this time.

Comments

Truckin'
March 28, 1972
Academy of Music

Charlie Miller has made an enormous contribution to the family. Thank you sir, your brilliant version on the archive (I haven't picked up the DP yet) scratches that '72 itch. Particularly nice organ sound here, as mentioned above.
Two Souls in Communion
March 27, 1972
Academy of Music

This is the only version that completely convinces me. It seems like they were still working on it when circumstances overtook us. Here Pigpen is, like in the Good Lovin' and Big Boss Man before it, totally and completely in charge of his game. I'm going through the Europe tour again, so maybe there are others that make it like this one out there, but for now, this is the one.
Me and My Uncle
March 18, 1971
Fox Theatre

*hear. Jeez.
Good Lovin'
March 27, 1972
Academy of Music

This is not an example of Pig on overdrive, spontaneously working the crowd into a sexual frenzy while free-associating wildly. It is, however, a masterclass of slowly building up concentrated themes into an explosive version that really deserves a close listen. Good catch. This one is different, and should be higher, if only because the rap is somehow subdued, and the band is ultra tight, and yet Pig is totally in command of the whole long ride. Enjoy.
Big Boss Man
March 27, 1972
Academy of Music

Pig is in charge here. No doubt about it. Great harp work here.