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Carrion_Crow

Stealth Head

+49742


Submissions

3
Truckin'
Nov. 12, 1971
San Antonio Civic Auditorium

They come charging out of the gate to open a great, maybe underrated Texas tour. Great opener.
1
Playin' In The Band
Nov. 11, 1971
Atlanta Municipal Auditorium

If you can get past some severe tape wobble and speed issues, the mix is oddly clear and Jerry's ideas are just off the chain. Completists only.
15
Dark Star
Nov. 7, 1971
Harding Theatre

A short but fascinating star, starts way out, filled with melodicism and beauty, almost yearns for the TOO>MAMU to emerge out of it. Give it a chance.
6
Tennessee Jed
Nov. 7, 1971
Harding Theatre

Jerry's Strat sound is so perfect here. This whole show (and the 6th) highlight the sound of this era perfectly.
5
Beat it on Down The Line
Nov. 7, 1971
Harding Theatre

They're having a great time here, you can tell. Even the monitor problems are the source of fun.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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