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Carrion_Crow

Stealth Head

+49767


Submissions

4
Tennessee Jed
Oct. 24, 1971
Easttown Theatre

Muscular and punchy. Jer sings it right on: kicked my eye and kicked my dog, midnight train. Energy reigns.
1
Goin' Down The Road Feelin' Bad
Oct. 23, 1971
Easttown Theatre

Contains everything and could stand alone as an epic GDTRFB, even as part of its trad NFA sammy. Great speed work from everyone, builds and builds.
2
Tennessee Jed
Oct. 23, 1971
Easttown Theatre

"Kicked my eye and he blacked my dog". Like others this night, the vibe is aggressive and rowdy, knifey jagged soloing, this one's a killer.
4
Me and My Uncle
Oct. 23, 1971
Easttown Theatre

Introduced as"kind of a death and destruction song", which tells you all you need to know.
2
Cumberland Blues
Oct. 23, 1971
Easttown Theatre

Outrageous, hot, and pumped up. Should have been of this list a long time ago.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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