headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49767


Submissions

9
Sugaree
Sept. 10, 1972
Hollywood Palladium

So perfect, it's hard to believe that people could improvise music like this together. This amazing show deserves a clean-up!
14
Big River
Dec. 6, 1973
Public Hall

Overlooked: Between one of this site's favorite HCSs and one of its favorite Dark Stars is a perfect, articulate, and virtuoso version of Big River.
3
Casey Jones
Oct. 28, 1972
Cleveland Public Hall

Just outrageous. Problematic show b/c of mix and cuts in the source. Not here: just a blizzard of jam.
4
Greatest Story Ever Told
Oct. 28, 1972
Cleveland Public Hall

Show is overlooked b/c mix problems, but they're absolutely on fire and this version shreds like all get-out. Call C. Miller for this one please!
6
Playin' In The Band
Oct. 28, 1972
Cleveland Public Hall

Could be massively heady, but Billy is so high in the mix that it's hard to follow others. Any cleaner versions out there? Has everything but the mix.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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