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Carrion_Crow

Stealth Head

+49767


Submissions

13
Dark Star
Aug. 21, 1968
Fillmore West

First DS>Stephen>Eleven merits mention here, plus it's freaking groovy '68 Dead: No meltdown here (not yet), just 13 min. of 1st edition Dark Star.
5
Mountain Jam
Feb. 7, 1969
Stanley Theater

Check out "Primal Alligator Jam" on Feb. 07, 1969 and tell me this isn't a Mountain Jam. Anyone? In any case, I'm blown away by it.
2
Turn On Your Love Light
Feb. 7, 1969
Stanley Theater

Under the radar show, but blazing, blistering, and hard rocking Love Light. The whole set is outrageous.
5
Estimated Prophet
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

Perfect execution, Jerry just note for note brilliant, Bobby sings like a man possessed. AUD quality A/A-
6
Franklin's Tower
June 7, 1975
Bob Weir's Studio

You ain't never heard anything like this. It's about half-speed, super mellow, almost Jamaican vibe. For a rehearsal, this sounds just oh so sweet.

Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.