headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49767


Submissions

2
Playin' In The Band
Aug. 26, 1971
Gaelic Park

At risk of putting all '71 up here. Tell me to stop if too much! I just love the twangy country versions, knowing the evolution in store for it.
12
Wharf Rat
Aug. 23, 1971
Auditorium Theatre

Extremely powerful. Strong vocals, massive sound, tremendous jam, great mix. Coming off 30 minutes of TOO like a parachute from the ionosphere.
3
Bird Song
Aug. 23, 1971
Auditorium Theatre

Intricate zigzagging solo work from Jerry, tight ensemble playing. Doesn't ever "soar" like some of them, but more exploratory and compelling.
3
Casey Jones
Aug. 23, 1971
Auditorium Theatre

They announce the set-break, then decide to blow out the tubes on this one, capping one of the best 1st sets of 1971.
4
Loser
Aug. 23, 1971
Auditorium Theatre

Snarling guitar solo and great organ sound in an excellently mixed (Bobby audible always a plus) SBD. The whole first set is sweet heady goodness.
show more submissions

Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
show more comments
headyversion loves the dead but is in no way affiliated with The Grateful Dead or affiliated enterprises. find out more >:) >:)