headyversion

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Carrion_Crow

Stealth Head

+49777


Submissions

16
St. Stephen
Nov. 2, 1969
Family Dog at the Great Highway

One of the definitive DS>SS>11 suites and it power rocks on its own. Young'uns: don't forget good '69...fear not and dive in!
5
Wharf Rat
April 14, 1971
Davis Gym, Bucknell University

Stretches further out than earlier ones, like the Birdsong before they seemed to find WR's deeper groove and go furthur with it. Result? Beeyootiful.
5
Sing Me Back Home
April 14, 1971
Davis Gym, Bucknell University

Saddle up heads, this is one of the nicest ones I know. Pre-Donna Jean, but the boys cover it with driving intensity and its nicely mixed for the era.
2
Bertha
April 14, 1971
Davis Gym, Bucknell University

Nailed it. Part of the great April run that coalesces the '71 sound. Killing 1st set with manageable mix and saturation issues.
4
Goin' Down The Road Feelin' Bad
April 12, 1971
Civic Arena

One of the tightest and best jams I've ever heard. Absolute magic. Goes straight into a killer Lovelight. This is an amazing show. Check it out.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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