headyversion

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Carrion_Crow

Stealth Head

+49777


Submissions

7
The Other One
April 12, 1971
Civic Arena

Shoots you straight out of the cannon. Super tight jam into a sweet sweet Wharf Rat
3
Playin' In The Band
April 12, 1971
Civic Arena

Students of Playin's transformation from the Main Ten to country single to cosmic monster should check this. Tightly packed and just about to sprout.
4
Bertha
April 12, 1971
Civic Arena

Listen closely and you can hear exactly where April '71 becomes legendary.
2
Good Lovin'
April 8, 1971
Boston Music Hall

Outrageous blazing jam.
2
China Cat Sunflower -> I Know You Rider
April 8, 1971
Boston Music Hall

Mega show here folks. Bobby's high in the mix and driving the train. The China's fine, but the Rider kicks serious ass.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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