headyversion

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Carrion_Crow

Stealth Head

+49777


Submissions

4
Bird Song
Feb. 24, 1971
Capitol Theater

Super loose in the joints and fun. They seem to be searching for the '71 sound throughout the run here but I like this one.
1
Sugar Magnolia
Feb. 23, 1971
Capitol Theater

High powered and super charged. The last third of the first set is a real killer.
12
Wharf Rat
Feb. 21, 1971
Capitol Theater

Not the best show, but the best Rat of this run. 4th ever, but the first one to stretch out and become its full self.
6
Playin' In The Band
Feb. 21, 1971
Capitol Theater

Want to be present at its birth? The infant Bacchus emerges. I love this song. This is the 1st time they nail it.
7
The Other One
Feb. 20, 1971
Capitol Theater

Passes through many phases, always exploring new riffs and hinting at further jams without ever losing its essential feeling and sound. Great stuff.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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