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Carrion_Crow

Stealth Head

+49777


Submissions

6
Good Lovin'
Aug. 26, 1971
Gaelic Park

Doesn't go into a cool rap, like some '71s, but pretty f-in tight jam and a great mix, with everyone sounding great.
11
Hard to Handle
Aug. 26, 1971
Gaelic Park

Last one with Pig: A blasting sexy swagger with slow rising force like the Palladium one up top here. Listen past the tape problems and slow start.
3
Big Railroad Blues
Aug. 26, 1971
Gaelic Park

As good an introduction to '71 as you'll ever hear. Someone else help me here or I'm going to list every song in this show!
3
Sugaree
Aug. 26, 1971
Gaelic Park

Still brand new (7th ever) and it's got a lot of pump to it. This whole show is a forgotten treasure. C. Miller cleanup much improves the others.
13
Bertha
Aug. 26, 1971
Gaelic Park

As sweet and solid as they come: Opens a wonderful summer outdoor show in NYC. Surprised it isn't here yet.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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