headyversion

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Carrion_Crow

Stealth Head

+49777


Submissions

12
Loser
Dec. 10, 1971
Fox Theatre

A triumphant, anthemic version that shows another, powerful side to it. Great piano work gives it a nice flavor.
8
Goin' Down The Road Feelin' Bad
Dec. 14, 1971
Hill Auditorium

Just transcendentally perfect. The whole set from Cryptical on is monumental '71 headiness.
11
Playin' In The Band
Dec. 14, 1971
Hill Auditorium

About here Playin' starts stretching out. Only 7 min long, but there's a lot of charge here: Listen to all of them thinking "let's take this furthur".
13
Black Peter
Dec. 14, 1971
Hill Auditorium

A little more love for the early ones? A strong and powerful version that never loses focus. Beautiful.
10
Truckin'
Dec. 14, 1971
Hill Auditorium

Bristling hot show opener shows how they meant business. Dec. '71 is special transition time and this one pins you to the wall with energy.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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