headyversion

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Carrion_Crow

Stealth Head

+49777


Submissions

15
Sing Me Back Home
May 3, 1972
Olympia Theater

Elegance defined. Some of the sweetest vocal harmonies of the era. Nailed it.
20
Good Lovin'
May 3, 1972
Olympia Theater

Phil and Pigpen interplay like few others I know. Brilliant and clear, with a thumping good vibe.
20
Goin' Down The Road Feelin' Bad
May 3, 1972
Olympia Theater

Show is all highlights, and NFA-GDRFB-NFA caps it in style. Listen to the whole set for full effect and feel the love.
2
Promised Land
Sept. 15, 1978
Sphinx Theatre

Kesey video after 12 min. of Ollin Arrageed, worth every second: http://www.youtube.com/watch?v=hMAKJfuP4II
1
Beat it on Down The Line
Dec. 31, 1971
Winterland Arena

Holy smokes! They took their vitamins today. Catch 'em if you can or get out of the way. Roller coaster version.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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