headyversion

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Carrion_Crow

Stealth Head

+49777


Submissions

4
Let It Grow
July 25, 1974
International Amphitheater

Tight and hot. Something in the vocals at this show went just perfect too, adding to the intensity.
6
Loser
July 25, 1974
International Amphitheater

Greatness in this one: Powerful ensemble vocals.
6
Space
July 21, 1974
Hollywood Bowl

Phil & Ned: By far the most compact and Space-like. Gargantuan Martian landscapes and insect-shaped UFOs. Sounds like Frippertronics. Heavy stuff.
4
Around and Around
July 21, 1974
Hollywood Bowl

Fully rockin' blowout to close a lovely summertime 1st set: Not my favorite song, but this one really kicks.
20
Let It Grow
July 19, 1974
Selland Arena

Mega-monster just dives into complete madness with a Phil solo for the ages and wild tweaking from all sides. Much fun.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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