headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

8
He Was A Friend of Mine
June 14, 1969
Monterey Performing Arts Center

So blissful you might just find yourself floating out of time. A beautiful mellow island in a sea of blazing psychedelia. China Cat tease at the end.
3
Dark Star
Oct. 30, 1968
The Matrix

Rarity w/o Pig or Bobby, but TWO glorious Dark Star jams on this "goof" of a night. Strictly speaking not the Dead, but it's here and its glorious.
2
Turn On Your Love Light
Oct. 30, 1968
The Matrix

A rarity: No Pig or Bobby & no vocals. Still, beautifully inventive soloing shows why they kept it in rotation for so long. This "goof" is worth it.
6
Hard to Handle
April 5, 1969
Avalon Ballroom

Hot sex.
23
Death Don't Have No Mercy
Nov. 2, 1969
Family Dog at the Great Highway

So much feeling coming off an interstellar DS>StS>11 and then they just put this show to bed with brilliance and feeling.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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