headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

10
Black Throated Wind
Dec. 6, 1973
Public Hall

Perfectly executed arc of mounting emotions in this great version. The band is so tight throughout this show.
16
Uncle John's Band
Dec. 1, 1973
Music Hall

Righteous beauty from probably the most seriously overlooked show from '73 (surrounded by the big beasts in Boston) inside a Playin' just soooo good.
14
Playin' In The Band
Dec. 1, 1973
Music Hall

Outrageous oversight that this crystal clear beauty isn't here. Bobby's vocals, brilliant ensemble playing, glorious UJB in the sandwich. DIG IT!!!
8
They Love Each Other
Dec. 1, 1973
Music Hall

Great version, yeah its Boston '73. But probably the best Stage Banter ever: Check out 09:49 explaining why they aren't going to play St. Stephen.
5
Loser
Nov. 23, 1973
County Coliseum

Nov. '73 and there isn't a bad show in it. This Loser has something special in its tightness and the tempo (doesn't drag). Damn they were good.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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