headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

40
Not Fade Away
May 28, 1977
Hartford Civic Center

Brilliant double Jerry/Phil solo. Who know that NFA could be such an exploration? A blazing 2nd set tour-closer from Spring '77. What else?!?
14
Good Lovin'
May 28, 1977
Hartford Civic Center

That Bob and Jerry both get barnburning warm ups (Bertha then this) pays off throughout this immortal show. Don't just start with the 2nd set!
15
Playin' In The Band
Sept. 23, 1972
Palace Theater

Nice hot version. Not as tripped out as some and never melts down, but 18 minutes of fun.
13
Playin' In The Band
Oct. 31, 1971
Ohio Theatre

Hard blistering acid rock with the '71 country vox. 6 minutes, but with the seeds within it that would become Playin' as we know it in '72.
9
Uncle John's Band
Feb. 18, 1971
Capitol Theater

Energetic encore. Rolling drums and tight energy ending a brilliant show like they were ready for another set.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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