headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

9
The Race Is On
June 24, 1973
Memorial Coliseum

Lovely mid-tempo ensemble singing with Bobby, Donna, and Jerry audible (Keith too?). Great driving bass and piano.
12
Big Railroad Blues
June 24, 1973
Memorial Coliseum

Fun, fast and loose in the joints.
24
They Love Each Other
June 24, 1973
Memorial Coliseum

Clear melodic jamming, fun and uptempo.
33
New Potato Caboose
Oct. 12, 1968
Avalon Ballroom

Starts with gongs and cymbals in the cosmic dust of an outrageous TOO>Cryptical, then gears up and goes supernova for over 20 minutes.
14
Me and Bobby McGee
April 29, 1971
Fillmore East

My new favourite version, and I never choose "favourites". Passionate perfect Bobby, the band so tight, Jer's perfect harmony, Phil driving it all.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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