headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

17
The Other One
Jan. 3, 1970
Fillmore East

Bursts out with mega mic'd horsepower. Lifts you out of your chair and pins you to the wall. Derserves many fans.
6
Cumberland Blues
Jan. 3, 1970
Fillmore East

Sweet version, great harmonies lots of fun. The whole show's a must have for fans of the early stuff.
14
Morning Dew
Jan. 3, 1970
Fillmore East

Blasting, enormous, fully psychadelic early Dead show opener complete with cool TC organ, massive gongs and great vocals.
19
Goin' Down The Road Feelin' Bad
June 10, 1973
RFK Stadium

Outrageous 3rd Set madness with the Allman Bros, inside an amazing NFA.
31
Bird Song
June 10, 1973
RFK Stadium

Soaring solid and focused version from one of the top shows of the year.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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