headyversion

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Carrion_Crow

Stealth Head

+49672


Submissions

11
Let It Grow
June 3, 1976
Paramount Theatre

How is this not here?!? Shoots out of cannon at light speed (after a slooooooow '76 Wharf Rat).
6
China Doll
May 13, 1973
Iowa State Fairgrounds

China Doll always helped bring us back down. Listen to this one coming after 62+ minutes of high-powered jamming and fully comprehend its beauty.
2
Brown Eyed Women
May 13, 1973
Iowa State Fairgrounds

A beauty. Jer's vocals are spot on. Gears up for a mega-epic 2nd half of the set. Listen through the hiss on the archive and enjoy.
18
Playin' In The Band
May 13, 1973
Iowa State Fairgrounds

28 minutes of groove. Playin' at its finest - but the hiss on the archive version is bad. C. Miller cleaned up part of this show - keep going sir!
11
Here Comes Sunshine
May 13, 1973
Iowa State Fairgrounds

Never a bad '73 version: Listen through the hiss (headphones, folks) for a diamond in the rough. Apparently a rainbow emerged during it, really.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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