headyversion

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Carrion_Crow

Stealth Head

+49677


Submissions

17
China Doll
April 2, 1973
Boston Garden

Delicate an gentle - coming after a twisting rocketship of an Eyes, saying, "everything will be okay folks if we can just all come down together...."
29
Me and Bobby McGee
April 2, 1973
Boston Garden

Out of a 20 min mindbent HCS this is a sweet, heartfelt chillout. Great '73 sound.
31
Playin' In The Band
April 2, 1973
Boston Garden

An extensive, long strange trip. Hot in places, then trippy and spaced out. Fast. Phil and Jerry in total unity.
20
Row Jimmy
April 2, 1973
Boston Garden

Passionate and heartfelt with beautiful ensemble vocals. Bobby's spider rap follows.
20
Playin' In The Band
March 31, 1973
War Memorial

An immense, killer set closer. This show shows all the different faces of the Dead and this Playin should have many many fans.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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