headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49677


Submissions

4
Sugar Magnolia
March 21, 1973
Utica Memorial Auditorium

The sugar's sweet - but the daydream just blows everything else away with joy.
6
Brokedown Palace
March 21, 1973
Utica Memorial Auditorium

Musical and sweet with great harmonies. Brilliant show with many great, mellow versions of their '73 setlist.
11
Playin' In The Band
March 21, 1973
Utica Memorial Auditorium

Exploratory simmering energy. Phil and Jerry co-soloing on a high plane of endless inspiration. Not a barn-burner, but smooth and abstract.
4
China Cat Sunflower -> I Know You Rider
March 21, 1973
Utica Memorial Auditorium

Snazzy light and tight. China's melody is a traipsing psychadelic counterpoint, a perfect trans into Rider. Good vibes.
8
The Other One
March 19, 1973
Nassau Coliseum

Complicated rising and falling arc to the energy, but great jam. Long Truckin>TOO>Eyes in a great 2nd set. Sound quality problems though.
show more submissions

Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
show more comments
headyversion loves the dead but is in no way affiliated with The Grateful Dead or affiliated enterprises. find out more >:) >:)