headyversion

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Carrion_Crow

Stealth Head

+49677


Submissions

6
Truckin'
March 16, 1973
Nassau Coliseum

Check out the totally mad vocals. Someone's belting it out, and it ain't Donna! Out of a killer Dark Star.
25
Dark Star
March 16, 1973
Nassau Coliseum

A long deep ride: Inter-stellar collectivity with deep-space weirdness after 1st chorus.
5
Row Jimmy
March 16, 1973
Nassau Coliseum

Beautiful ensemble playing. Jerry and Donna harmonise nicely.
3
El Paso
March 16, 1973
Nassau Coliseum

The boys push behind Bobby like the posse chasing the narrator of the song. You can hear the hoofbeats. Excellent.
10
Eyes Of The World
March 15, 1973
Nassau Coliseum

Soaring. Jerry and Phil in collective consciousness. My version is marred by a rough AUD patch though.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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